Girl with a Pearl Earring
The film offered a combination of my other two chosen films in the way that it offers a narrative that is fictional, but based around the life of real life painter Johannes Vermeer in trying to uncover the story behind his painting of 'Girl with a Pearl Earring' as based on the novel 'Girl with a Pearl Earring' written by Tracy Chevalier. As with all of my other films, it focuses on a strong female protagonist, which follows the newly evolved perception of women in the way that they are seen by the audience. It is in the fact that the film relies heavily on the narrative of the novel to construct the screenplay, that emphsizes the importantance of literature in constructing the narrative in a lot of Heritage style films, which is also the case in my other chosen films.
The film also relies on the importance of setting and costume in constructing the time period, as well as in presenting a sense of segrgation amongst classes, where 'Girl with a Pearl Earring' acts as a direct parallel with my other chosen film 'The Duchess' by looking at the life of a servant as opposed to the affluent life of a Duchess, that is emphasized through costume once again in portaraying status and class.. A sense of class is shown in the setting, which is shown especially in the market place, with the meat carcuses, which also acts as a realistic representation of what life would have been like, which also highlights the growing realism in British Cinema.
Another of the films strengths is through its references to art and the insight into the imagination of a painter's art, in the way that light and shadows is added. This is accompanied by the fact that the film also follows Heritage film conventions by including aspects of the romantic genre in the more obvious relationship between Griet and Pieter, but also in the attraction between servant Griet and master Johannes Vermeer. It is in this relationship that the film looks at the attractions between the servant and the master, without making it obvious or uncomfortable for the spectator, where this is shown with little gestures shown with their hands and most importantly in their shared understanding of art.
The ending continues the importance of realism, by ending with an ending that is believable in the way that from the very beginning the audience is lead to an understanding that nothing will ever happen between the two protagonists. Instead the ending uses symbolism through the pearl earrings, to act as a representation of the shared love of art that they experienced and for this reason it ends with the earring s to bring the film to a close depite the informed death of Vermeer. This is in contrast to the novels ending in the fact that Griet marries Pieter, which follows the positive ending that differs in the film in presenting a realistic ending to the heritage film.










